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BBC News Cameras Capture The Joys Of Remote-Working Technology technology bbc



BBC News has been demonstrating the “wonders” of technology during the COVID era by using remote cameras to shoot its broadcasts, and well, it’s a wonder no one has quit.

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BBC News Cameras Capture The Joys Of Remote-Working Technology

BBC News Cameras Capture The Joys Of Remote-Working Technology

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BBC News Cameras Capture The Joys Of Remote-Working Technology
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38 thoughts on “BBC News Cameras Capture The Joys Of Remote-Working Technology technology bbc”

  1. You have to understand that I am not a robot I am from Europe and from Romania I explained where I am from now you have to understand that I am not a robot If I was a robot I had to repeat the same words but you have to understand that I am not a robot and I am in Europe from Romania

  2. you had to understand that there is no robot and more than that You have to understand that I am from Europe and more than that You have to understand that I am not a robot

  3. I think the use of robotic cameras in news studios is a real shame, because it eliminates jobs for people. But real local news is a rare thing now. Most stations (and newspapers) are owned by huge conglomerates that eliminate jobs so they can be outsourced to “hubs.” News studios even outsource master control operations and graphics departments to hubs located in other states. Sad.

  4. Hey, cut the BBC a little bit of slack. Up until last week they were still using stone tablets, hammers and chisels. You know how out of touch they are in that part of the world because they still have some ancient throwback to medieval times where they let some relic of a REALLY old woman pretend she does something for the "subjects" where they bilk the citizens into paying for their tea and crumpets to the tune of $Millions a year. The ultimate con.

  5. The cameras, the sound mixing and the vision mixer are all controlled through the newsroom computer system – called ENPS – there are markers in the script and the rundown used for moving to different shots, firing VT inserts or playing audio stings. Because the vision mixer is also controlled through ENPS, this is why the director in the Gallery (control room) doesn't switch immediately to a different camera.

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